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Wednesday, July 25, 2018

Giselle - American Ballet Theatre
src: www.metopera.org

American Ballet Theatre (ABT) is a classical ballet company based in New York City. It has an annual eight-week season at the Metropolitan Opera House (Lincoln Center) in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. ABT was founded in 1939 by Lucia Chase and Richard Pleasant and is recognized as one of the world's leading classical ballet companies. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.


Video American Ballet Theatre



History

In 1939 Pleasant and Chase committed to the creation of "a large scale company with an eclectic repertory". The pair and a small group from Mordkin Ballet formed Ballet Theatre. Their new company's first performance was on 11 January 1940. Chase began developing the company's repertoire of well-known full-length ballets, as well as original works, amidst financial issues. In 1945 Oliver Smith joined Ballet Theatre and became co-director with Chase.

In 1957 the company changed its name to American Ballet Theatre. It continued to emphasize ballet classics, yet remained challenged by financial issues. During the 1960s and 1970s, the company's prospects brightened due to more favorable private funding. During this period, American Ballet Theatre shifted its ballet focus to the recruitment of star performers. In 1977, the company began its spring season at the Metropolitan Opera House, its new official venue.

Mikhail Baryshnikov in 1980 became Artistic Director for American Ballet Theatre. Baryshnikov staged, restaged, and refurbished numerous classical ballets and, according to the company, strengthened their classical tradition. Baryshnikov was replaced in 1989 by Jane Hermann and Oliver Smith, who remained as Artistic Directors until 1992, when Kevin McKenzie received the appointment. McKenzie satisfied the demands of the traditional ballet audience by prioritizing full-length narrative ballets. He also succeeded in keeping the company afloat during financially unstable times. In 2004 he established an official associate ballet school, the Jacqueline Kennedy Onassis School. After a long period of no in-house choreographer, McKenzie appointed Alexei Ratmansky as "Artist in Residence" in January 2009.


Maps American Ballet Theatre



Artistic staff

Artistic directors

  • Lucia Chase and Oliver Smith (1940-1980)
  • Mikhail Baryshnikov (1980-1989)
  • Jane Hermann and Oliver Smith (1989-1992)
  • Kevin McKenzie (1992-present)

Executive directors

  • Rachel S. Moore (until 2016)
  • Kara Medoff Barnett (2016-present)

Resident choreographers

  • Antony Tudor (1940-1950)
  • Alexei Ratmansky (2009-present)

Swan Lake- American Ballet Theatre
src: www.metopera.org


Dancers

American Ballet Theatre has four levels within the company. They are (in ascending order): apprentice, corps de ballet, soloist and principal.

Principals

Soloists


American Ballet Theatre Celebrates 75 Years - Dance Informa
src: www.danceinforma.com


Former dancers

The following is a partial list of former dancers with ABT, listed by their highest rank prior to leaving the company.

Former principal dancers

Former soloists

Former corps de ballet


Swan Lake - American Ballet Theatre
src: www.metopera.org


Repertoire

Perhaps no other choreographer was as closely associated with ABT as the great British choreographer Antony Tudor, who made his American debut with the company. The other continuous creative force was the legendary Agnes de Mille. She staged the majority of her ballet works with them. Many choreographers have mounted works especially for ABT, including George Balanchine, Adolph Bolm, Michel Fokine, Léonide Massine, and Bronislava Nijinska. Other renowned choreographers who have worked at ABT include Jerome Robbins, Twyla Tharp, and Alvin Ailey.

ABT's 1976 production of The Nutcracker starring Mikhail Baryshnikov and Gelsey Kirkland was televised the following year and has become a broadcast classic.

The main season is held during eight weeks in the spring at New York City's Metropolitan Opera House, with shorter seasons in the fall previously held at New York City Center, now held at the David H. Koch Theater. Performances of Alexei Ratmansky's The Nutcracker during the holiday season are held at the Brooklyn Academy of Music. The company tours extensively throughout United States and the world.

The current choreographer-in-residence for ABT is Alexei Ratmansky.


American Ballet Theatre Corps de Ballet | Ballet: The Best Photographs
src: balletthebestphotographs.files.wordpress.com


Schools and programs

Jacqueline Kennedy Onassis School

The Jacqueline Kennedy Onassis School at American Ballet Theatre (ABT/JKO School) is the associate school of American Ballet Theatre located within the Flatiron District of Manhattan, New York City. The school comprises a Children's Division for ages 4 to 12, a Pre-Professional Division for ages 12 to 18, and the preparatory program Studio Company for ages 16 to 20. Cynthia Harvey, a former dancer with ABT, serves as the school's artistic director.

Studio Company

ABT Studio Company, formerly known as ABT II, is a small company of 12 young dancers, ranging from ages 16 to 20, handpicked by ABT. It is the top level of the American Ballet Theatre training ladder and is currently an extension of the ABT JKO school. These dancers are trained in the program to join ABT's main company or other leading professional companies, and the program is described by ABT as "a bridge between ballet training and professional performance".

Project Plié

Project Plié is a diversity initiative launched in 2013 by Kevin McKenzie, ABT's current artistic director. The program was inspired by ABT principal dancer Misty Copeland, and aims to "increase racial and ethnic representation in ballet and diversify America's ballet companies". The initiative is made up of a combination of partnerships within the community and within the industry in addition to scholarships and opportunities for exposure for children of color. Annually, as of 2013, Project Plié has awarded scholarships to young people ranging from ages 9 to 18 including to the ABT/JKO School, ABT's summer intensive programs and ABT's Young Dancer Workshop.


Romeo and Juliet - American Ballet Theatre
src: www.metopera.org


Production staff

  • N. James Whitehill III (director of production) (current)
  • Richard Koch (technical director) (current)
  • Danielle Ventimiglia (production stage manager) (current)
  • Jennifer McGrath (stage manager) (current)
  • Jeremiah Bischoff (assistant stage manager) (current)
  • Brad Fields (lighting director) (current)
  • Jon Goldman (assistant lighting director) (current)
  • Dan De Prenger (head carpenter) (current)
  • Esteban Osorio, Chris Miano (assistant carpenters) (current)
  • Brian Zimmerman (head electrician) (current)
  • Andrew Blais, Paul Frydrychowski (assistant electricians) (current)
  • Paul Wells (property master) (current)
  • Steve Dunbar (property man) (current)

Music department

  • Ormsby Wilkins (music director) (current)
  • Charles Barker (principal conductor) (current)
  • David LaMarche (conductor) (current)
  • Benjamin Bowman (concertmaster) (current)
  • Akira Endo (conductor) (1938-2014)

Wardrobe master

  • Tomoko Ueda-Dunbar (current)
  • Robert Holloway (joined as dancer 1964) (1965-1996)

Wardrobe mistress

  • Hilarie Jenkins, Caryn Wells (current)

American Ballet Theatre â€
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See also

  • A Dancer's Life, a 1972 documentary film about the company

The Sleeping Beauty - American Ballet Theatre
src: www.metopera.org


References

Notes

Further viewing

  • Wiseman, Frederick (Director) (1995). Ballet (motion picture). Zipporah Films. 

American Ballet Theatre â€
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External links

  • Official website
  • American Ballet Theatre entry in the Encyclopædia Britannica
  • American Ballet Theatre entry in the Columbia Encyclopedia
  • Archive footage of ABT (then Ballet Theatre) performing Interplay in 1949 at Jacob's Pillow
  • American Ballet Theatre at Google Cultural Institute

Source of article : Wikipedia